A genius writer who took off from “Hisashi Inoue” and “The University of Tokyo in the strip world”! < 3rd > Asakusa Rokku Geiden|The Asakusa Monthly

月刊浅草

[Winter mosquitoes are also lovely and long sickly.]
[A snowball fight that I hit hard because I like it]
[Cherry Blown Out After Chill]
[A dream hammock wrapped in a pie pie]
I’m in the smell of a firefly missing hair.
[Spotting in the glass of the window]

It is a phrase made by Kiyoshi Atsumi. Originally, when he was recuperating from pulmonary tuberculosis for three years, he wrote a short poem as a consolation, which seemed to have triggered him to start writing haiku. However, when I read it again, I feel a fresh impression even now that such a soft and wonderful sensibility was hidden inside him, who looked like a tough person.

The fact that the new members of the literary club and the two of them got along beyond the position of star actors was a natural result of the sympathies and attraction between the people with excellent sensibilities. Inoue showed his ability to the fullest and continued writing excellent scripts one after another. Part of his immense talent was brought to fruition in the process of creating works for actors who fell in love with him like this, and I think it was the same for Atsumi, who was inspired by the power of Inoue’s pen and polished his art more and more, and grasped the opportunity for his later breakthrough.
It is said that people meet with nature when they need it, learn everything from each other, and then break up again naturally. Not long after Atsumi was recruited into the world of film, Inoue also left Franco-za.

Hisashi Inoue, who later became a writer, wrote these words with his unique humor.
‘The Asakusa French-za Theater was Tokyo University in the strip world.’
I don’t know whether it was true or not (laughs), but anyway, the two “Tokyo University graduates” achieved great success in their respective fields and gave dreams and hopes to many people. I am also very happy that French-za became a place where young talents meet and a place for friendly competition, and I am most proud of it.

It goes without saying that, even after the two of them left, Franceza was still a stage for the youth of brilliant young people, and there was a drama unfolding day and night. Isamu Nagato, Keiroku Seki, Shunji Sayama, Kan’ichi Tani, Hachiro Higashi … Who should I talk to next …?

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